2012 King of the Hill Movie Challenge

Drive v Tucker and Dale vs. Evil
This isn't a 1v1v1.  This is two movies going head to head, one of which has "vs." in the title.  One movie is a dark action flick that bested a classic.  The other is a dark comedy that both makes fun of and pays homage to common horror tropes.  However, only one of these movies can survive the 2012 King of the Hill Movie Challenge.

For those who do not know, the 2012 King of the Hill Movie Challenge is my system for determining the best movie of year that I saw. One movie from each month will be selected and, at the end of the year, I will do a tournament style showdown where they will take each other on until the final movie has been selected. Bracket placement will be determined by the number of movies the monthly movie faced and won.

Challenger:  Tucker and Dale vs. Evil

Director: Eli Tucker

Writers: Eli Tucker and Eli Jurgenson

Starring: Tyler Labine, Alan Tudyk, and Katrina Bowden

Tucker and Dale vs. Evil is a difficult movie to box in and explain.  The movie is about two red necks on vacation.  The movie is about a group of kids out partying.  The movie is about the ridiculous tropes of horror flicks.  The movie is all of these things rolled into one.  Tucker (Alan Tudyk) and Dale (Tyler Labine) are just trying to have a nice relaxing time in the woods when a group of kids mistake them as killers.  This mistake comes from when Dale rescues Alison (Katrina Bowden) from drowning.  The kids think they have killed Alison and everything goes downhill fast.

The movie pays homage to several movies.  Honestly, I couldn't tell you half of them; I'm not a big horror fan.  The cliches addressed in the movie are what make it for me.  It covers everything from creepy cops, to red neck stereo types, to evil pit bulls.  Honestly, there wasn't a cliche I could think of that the movie didn't tackle.  I'd say more, but to go too far into what I loved about the movie would require spoiling it.  I encourage you to watch the movie if you don't mind blood and gore.

Summary:
Drive is a unique story with an unnamed character.  Tucker and Dale vs. Evil is a compilation of dozens of stories and cliches, but told in a way to make fun of them all, and yet still pay homage to the very movies it is mocking.  Honestly, it should be a hard call, but it isn't.  Tucker and Dale vs. Evil tackles something I hate, cliches.

Winner:  Tucker and Dale vs. Evil

2012 King of the Hill Movie Challenge

Planes, Trains, and Automobiles

Director: John Hughes

Writer: John Hughes

Staring: John Candy, Steve Martin

On a whim, I was flipping through the channels of the television and noticed that Planes, Trains, and Automobiles was coming on. I put the movie on and watched it again for the first time in over a decade. The movie has, surprisingly, aged well. Neal (Steve Martin) is trying to get home to Chicago and fate keeps him stuck with Del (John Candy) on the worst cross country adventure ever. The journey has them taking just above every form of transportation known to man.

The only movie I expect to be worse with cliches than a comedy flick, is a romantic comedy. Much to my surprise, this movie did a very good job of hiding them. Neal can't stand Del and slowly warms up to him. This cliche plays out across the entire movie. This is a useful trick to blending a cliche into the background. If you stretch it out and make it subtle enough, it isn't as offensive on the eyes. Another cliche that is a little less obvious is fate throwing every possible obstacle in their path. This was over played and became a heavy annoyance. The car really didn't have to catch on fire, did it?

I miss these style of comedies. Most comedies these days seem to involve the absurd circumstances or bathroom humor. Even Bridesmaids, a movie I adore, had a rather eye raising scene involving food poisoning. Unfortunately, John Candy, John Hughes (Director), and so many other wonderful minds and talents from the 1980's are dead. I can only hope for a resurgence of the humor style.

Summary:

Planes, Trains, and Automobiles is a well-written movie and great comedy. However, it has nothing on the imagery, action, and character development, and visuals of Hanna.

Winner: Hanna

The Second Cliche

For my second blog post, I'm going to take about cliches and the developed character. I won't go so far as to say well-developed characters; that would require a much more in-depth analysis. Cliches work better when the characters are developed. When a show or a piece of fiction has two-dimensional or underdeveloped characters, the cliches will stand out.

Before I can get into the interaction of a cliche with a developed character, I need to talk about what a cliche is. A cliche is a basic story concept that has been used so frequently that my eyes have started bleeding. It's easy to think of examples with little or no effort. Looking around my apartment, I can find lots of examples. Eureka, while a great show, uses the "smart geeky boy who can't talk to girls", the "protagonist in a land where everyone gets the world around him but him", and "father can't talk to his child" cliche. The DVD boxset of Jeeves & Wooster has the "the butler is smarter than who he works for" cliche. To demonstrate the common place of cliches, look at Terra Nova. The show is rife with examples of the same, "father can't talk to his child" cliche that is found in Eureka.

Side Note: If you want the official terms for these cliches, you are welcome to head over to TV Tropes. I must confess I don't browse the site very much.

The difference between the good use of a cliche and a bad can be attributed to many factors. For me, the biggest difference is character. A well-written character is going to pull the reader or viewer to the character's reaction and away from the formula being used. Sheriff Jack Carter and his daughter Zoe conflict with each other on a regular basis in Eureka. This, at the most basic level, is no different than Jim Shannon's conflict with his son Joshua on Terra Nova.

Zoe is a troublemaker with no direction. She's taken up a life of petty crime and her father has just hunted her down at the start of the show. Her issues stem from the parental situations in which her dad, a US Marshal, and her mom are divorced. Carter is embarrassed that, as a law enforcement agent, he's transporting his own daughter as a fugitive. In Terrible Nova, Jim and his family have violated a world's law limiting families to four. His family has five. Jim punches out an enforcement agent and is sent to jail for breaking the family count act. For some reason, this puts Josh at odds with his dad. This rationale is never explained well. In later episodes, Terrible Nova plays out the relationship between Josh and Jim. It makes things better, but the detachment from the show from the initial, obvious cliche use never fully healed.

Take my story from the last blog post. It wasn't particularly good. The characters were flat. In order to soften the effect that the cliches have on the story, I need to develop the characters more. I broke out Rory's Story Cubes and rolled the dice. I'm not making a full story this time, so cherry picked five dice to create a some ideas for character development. Here is the new draft of the story.

There was once a happy couple that lived in a house. Thomas had decided to do something special for Kelly to show his appreciation. After counting his pennies, he realized he didn't have enough to buy the set of dolls that Kelly had loved. Frustrated, he went out looking for a way to earn some extra money. He spoke with a neighbor and was able to make the rest of the money he needed by working in the neighbor's garden.

He gave Kelly the present that night. After spending a moment to ponder the package, Kelly unwrapped a pair of dolls. The night was suddenly interrupted by a dragon from out of town. It landed on the guard's tower and setup camp in the parapet. The appearance of the dragon created a bit of drama for the family. After a heated conversation with his wife, Thomas decided to go to investigate. From the top of the tower, he saw the dragon hanging out on a parapet below. Thomas took a giant ball and tried to drop it on the dragon's head. In retrospect, the act was a bit of a reach. The ball missed. He decided it had been a case of bad judgement to try and slay the dragon. He was upset, but after dancing a jig at home, he felt much better.

The story still has the same cliches. They are still obvious to the casual reader. Only now, Thomas is better developed. You can almost see why he might want to go out and defeat this dragon. He was, after all, having a special night at home when the dragon appeared. This development and motivation could make some readers see his character and focus more on him and his desire to show Kelly his appreciation. Unfortunately, this development is limited to one section of the text. It will take many rolls of the dice to fix this story up.

The First Cliche

I don't have the humor of the Bloggess. I don't have the artistic talent of Allie Brosch over on Hyperbole and a Half. I don't have the near-perfect grasp of the English language like my wife does over on Tales of an Intrepid Pantster. I'm not sure I have a claim to fame, but if I did, it is the ability to piece together unique stories either devoid of cliches or using them in a mostly harmless way.

I hate cliches. And while I might enjoy a story that takes a cliche and spins it in a different direction, the use of the cliche never leaves me completely satisfied. Overuse of cliches will result in a wall thumper at worst and my weekly mockery at best (I'm looking at you Terra Nova!). On the other hand, good cliche use gets my attention and works devoid of cliches get my praise.

I haven't decided the full direction of this blog. I know that I'll talk about writing, television, books, movies, my cats, my wife, Upstate New York, and subjects I probably shouldn't mention. I will regularly be deconstructing and constructing story elements. If you are a writer, I'm sure you'll get at least two pieces of advice for every piece of dredge I offer. If you like reading blogs, this is a blog. If you don't want to see your favorite shows ripped apart and insulted, you need to find new shows to watch. I'll definitely talk about cliches. Someone needs to declare war on the suckers.

I'm going to try and write an entry once a week. That's the closest thing you will get a promise. I'll also try and include random writing in each post. For day, I'm going to create a story using some dice I got for Christmas. It's from the game, Rory's Story Cubes. I have two sets. You roll the dice and put together a story based on the pictures you have. In future posts, I'll use these dice to talk about how I construct stories and work to avoid cliches. For now, I'm being lazy and just creating a random story and pointing out the cliches.

There was once a happy family living in a house. The night had been a peaceful so far. Thomas had just given Kelly a gift to open. After spending a moment to ponder the package, Kelly unwrapped a pair of dolls. The night was suddenly interrupted by a dragon from out of town. It landed on the guard's tower and setup camp in the parapet. The appearance of the dragon created a bit of drama for the family. After a heated conversation with his wife, Thomas decided to go to investigate. From the top of the tower, he saw the dragon hanging out on a parapet below. Thomas took a giant ball and tried to drop it on the dragon's head. In retrospect, the act was a bit of a reach. The ball missed. He decided it had been a case of bad judgement to try and slay the dragon. He was upset, but after dancing a jig at home, he felt much better.

The story, at its core is pretty dull and ripe full of cliches. Peaceful life is disrupted by an outside force that is given a monstrous appearance. Male decided to take his approach against the wishes of the female and tries to defeat the beast. Male makes an attempt to stop the beast and fails. I'm willing to bet you can take this plot summary and apply it to thousands of popular stories. I took a brief look at my bookshelf and only had to scan as far as my collection of Andrew Lang. That's the start for a large chunk of fairy tales.

The first step to dealing with cliches is to recognize them. The worse the writing, the more they stand out. Better writers paint the cliches in pretty colors to hide them. It is possible to water a cliche down until it is unrecognizable. However, if you don't know it's there, you can't water it down.

If you're curious, the story took approximately two minutes to write.